At a time when Bollywood keeps glorifying scarcity, delay and aura, Akshay Kumar stands out for a very different reason: he is useful. Not useful in a small or diminishing way, but useful in the old-school superstar sense. The kind of star who can still move a theatrical release, energise a familiar genre, trigger nostalgia, reassure exhibitors and connect with the family audience without needing a six-month image-building exercise before every Friday. With Bhooth Bangla now in theatres and doing well, the timing of this conversation feels especially apt.
Akshay Kumar proves again with Bhooth Bangla: Utility is the new superstardom
The problem is that Bollywood today is too obsessed with coolness to acknowledge utility. We are living in an era where many stars are sold through distance, curated appearances, selective output and a constant attempt to look premium. Akshay has never fully belonged to that school. His image has always been rooted in motion; working, shooting, promoting, releasing, moving on. And maybe that is precisely why parts of the internet often struggle to romanticise him. There is no elaborate mythology to decode. There is just a man who shows up, delivers and keeps the machinery running.
That model may not be fashionable, but it is incredibly valuable. A star who can still play across comedy, mainstream entertainers, ensemble films and legacy driven crowd pleasers is not a relic. He is infrastructure. That is what Akshay represents for Hindi cinema. He is not merely an actor with recall value; he is a practical asset to a business that often behaves as if practicality is beneath prestige. The more fragmented the entertainment market becomes, the more that kind of reliability matters.
Even Akshay’s own public articulation of his work ethic fits this argument. Akshay’s schedule is built on planning, discipline and extensive script preparation. Most of his films finish quickly because he comes prepared. What people dismiss as volume is, at least in his mind, a result of process, not carelessness.
And that is where Akshay’s relevance becomes more interesting. He can anchor a release calendar, revive a familiar comic zone and keep returning to the kind of Hindi mainstream that large sections of the audience still understand instinctively. That is not a lesser form of stardom. It is a more useful one.
Perhaps that is Akshay Kumar’s real advantage in 2026. He is no longer chasing approval from the loudest corners of the internet. He is doing something much smarter: staying valuable in an industry that often confuses mystique with importance. Coolness comes and goes. Utility survives. And in Bollywood, survival has always been the most underrated flex of all.
Also Read: EXCLUSIVE: “We have not met!” – Mithila Palkar reveals Kalyani Priyadarshan recommended her for Priyadarshan’s Bhooth Bangla without ever meeting her
More Pages: Bhooth Bangla Box Office Collection , Bhooth Bangla Movie Review
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