Obsession continues to perform well at the Indian box office, with Rs. 4 crore coming on its second Wednesday. It registered a 10 per cent drop from the discounted Tuesday. The dip from the previous Wednesday is around 15 per cent, which is a strong hold.
The horror thriller took its running cume to Rs. 54.25 crore gross in its 13 days of theatrical run, including paid previews. Starring Michael Johnston and Inde Navarrette in the lead, the movie will close its two-week run with a gross of around Rs. 58 crore at the Indian box office.
Based on current trends, the movie is set for a good spike in the third weekend, with no significant release coming next weekend. The movie is looking to make a sum of Rs. 12-15 crore or so in its third weekend, which will take its take cume closer to the Rs. 75 crore mark. Obsession has a good potential to emerge as the No.1 Hollywood film of 2026 at the Indian box office, overtaking Michael and Project Hail Mary.
The Day Wise Box Office Collections of Obsession in India are as follows:
| Day | Gross |
|---|---|
| Previews | Rs. 0.55 cr. |
| Friday | Rs. 1.60 cr. |
| Saturday | Rs. 3.25 cr. |
| Sunday | Rs. 3.75 cr. |
| Monday | Rs. 2.50 cr. |
| Tuesday | Rs. 3.40 cr. |
| Wednesday | Rs. 3.40 cr. |
| Thursday | Rs. 3.40 cr. |
| 2nd Friday | Rs. 4.00 cr. |
| 2nd Saturday | Rs. 8.00 cr. |
| 2nd Sunday | Rs. 8.75 cr. |
| 2nd Monday | Rs. 4.15 cr. |
| 2nd Tuesday | Rs. 4.50 cr. |
| 2nd Wednesday | Rs. 4.00 cr. |
| Total | Rs. 54.25 cr. |
DISCLAIMER: The box office figures, opening-day forecasts, and lifetime collection projections mentioned in this article are subjective trade estimates compiled from various commercial parameters, advance trends, and market sentiment. These are purely analytical tracking figures and do not constitute actual, finalised collections or certified accounting statements. Pinkvilla does not make any representation or warranty, express or implied, regarding the pinpoint accuracy or completeness of these projections. No statement in this article is intended to defame, harm, or malign any individual, production house, artist, or commercial entity involved in the making of the film.
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